Imaginary Holes

2026. Sound Performance (30m).

Custom electronic controller and computer (Max/MSP).

Imaginary Holes is a sound piece performed on a custom sound controller and software.

Throughout the performance, the mapping between physical input and audio output continually shifts. While there is a visible connection between physical action and sound, the precise relationship is left unclear.

The object is a sound controller reduced to its minimum. Light and shadow cast across the controller’s white surface highlight the movements of the hands. The sound is a minimalist drone narrative built from elementary electronic synthesis, oscillators and filters, and silences.

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Full 30m Performance. Imaginary Holes (Youtube).

Music from Four Imaginary Holes (Bandcamp).

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Technical & Venue Requirements

Space: 1 x table (minimum 80cm x 50cm) at Center Stage.

Audio: Stereo FOH PA system + 2x 1/4” Jack cables to connect artist sound-card. Power: 1x standard power drop at the table.

Lighting: Complete darkness preferred + 1x overhead spotlight focused on the table (Artist can bring fixture if required).

Timing: 60-minute setup/soundcheck + approx 30m performance + 20-minute pack-out.

Leonardo Amico Live at Ftarri

Live at Ftarri. Tokyo, July 2026.

Close view of the performer's hands interacting with the controller's openings